Six original one-hour standalone episodes focused on both new and established characters within the walker apocalypse. Each episode has its own distinct tone and point of view — but the stakes are high in each story, pushing new, indelible characters with relentless, life-threatening choices and situations. We get to see the apocalypse through different eyes, discovering more worlds, mythos, and mysteries of the Walking Dead.

Written in 1931, H.P. Lovecraft’s iconic genre-bending tale of suspense and alien terrors is brought to life in the style of the classic horror films of the 1930s like Frankenstein, Dracula and King Kong. Using its Mythoscope™ process — a mix of vintage and modern techniques — the H.P. Lovecraft Historical Society expands on Lovecraft’s original tale while still bringing you unparalleled authenticity. Horror and science fiction collide in the adventure of Albert Wilmarth, a folklore professor at Miskatonic University, as he investigates legends of strange creatures rumored to dwell in the most remote mountains of Vermont. Wilmarth’s investigation leads him to a discovery of horrors quite beyond anything he ever imagined, and ends in a desperate attempt to escape the remote New England hills with his life and sanity intact.

When a tribe of cavewomen imparts cruel justice on one of their own their fate takes a turn for the worst. After discovering and falling in love with the corpse sacrificed by the girl-gang, a lone wandering giant of pre-historic mythos is inspired to homicide. Consequently the cavewomen are menaced by the heartbroken and bloodthirsty cave-brute with a grudge, and the prophetess among them is ignored when she predicts the tragic outcome.

Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)

Detroit’s story has encapsulated the iconic narrative of America over the last century – the Great Migration of African Americans escaping Jim Crow; the rise of manufacturing and the middle class; the love affair with automobiles; the flowering of the American dream; and now… the collapse of the economy and the fading American mythos.